You have found the best source for online music. No matter what your genre is, even if you are like me and want a little of everything, you will find it here and at the best prices guaranteed.
Music of all genres and types are found online; you can find it all online. Not everywhere is the best deal on music. Even some places where you think are you are getting the best deal – you really are not. When you go through our site, you will be taken to the best selection and best pricing each and every time.
But finding it for the best price is where we come in. Getting it for the best price is why you come here… We have the best pricing on the Music you want from the Artists you want… and it is all right here.
GO HERE to see all Available Music, Albums, Artists at the best prices ever. Used and New CD’s and Albums are all here in one place. When you use that link, you will be ensured that you are getting the lowest price. In fact – bookmark the link for whenever you are searching for anything. Our Members get access to the best pricing, and it is Free. We do the work so you get the savings.
Any band, any artist, any song, any label, any album available here. Whether you are into the music that is trending today or classics. We have it all. And we have it all at the best pricing. Just come through our site, and be linked to the best prices for anything you want.
Some of us like Country, Some Rap, and everything in-between. Whether you want your Music on CDS, want the latest Music Videos on DVD, or the downloads, it is all here, and again – always at the best price.
Get your Love of Music back again, or add to your Love of Music as you re-find the feeling of the Beatles. Music is known to be timeless, and you have access to us for the Best Price to re-create or create your Music library. Music playlists and works with any device of your choosing. This is the one stop, savings place for anything and all things Music.
AUDIO and VISUAL Needs Met Here! Need better systems, electronics, or even a new car stereo? See the best pricing. Fast shipping on all your Electronics, Audio and Visual needs, wants and desires. Need that new device to play your Music, the best price on that TV you are wanting or wishing for. Literally, access the Best Price on anything. Go Here to See it All!
How about some Green Day – these guys have been around for a bit, but yet we never get tired of their lyrics and sound. And here is the thing… I can go on and on about all the great Music, great Bands, and great sounds, but it’s the way Music makes us feel that drives us continually to listen to it. We live our lives around it, reflect upon it, and are inspired by, through and with Music.
Rolling Stones anyone? Come on – you know you should have their entire collection just to be you… just to have it. And we have it – and anything inspired by their Music – all here. GO HERE TO GET THE BEST PRICES (always).
Looking into Music and where it all has come from, is today and going into the future, I would like to reflect on some of the latest trends.
In one strand of Beatles lore, it was Ringo Starr who came up with the phrase ‘eight days a week’: an offhand joke about a working schedule so frantic it seemed to crush time. And while you watch this peppy, celebratory documentary from Ron Howard (Frost/Nixon, Rush), which focuses on the band’s notoriously hectic touring period, you feel pop history whistling past at speed.
Howard’s film follows the band from Ringo’s arrival in 1962 to their final paid live concert in 1966. Four lifetimes of live performance crammed into as many years, whittled down in turn to two hours of movie.
“We were force-grown, like rhubarb,” John Lennon laconically observes in one of many well-chosen snippets. It’s a line that chimes with every step Howard shows us the band taking – all the way to the recording of their transformative 1967 album Sgt. Pepper’s Lonely Hearts Club Band. The film uncontroversially positions as the direct result of – and necessary push-back against – the exhilarating but punishing show-business whirl that led up to it.
A few seem like they’re there to give Howard’s largely US-centric film a more distinctive British flavour: it’s sweet that Richard Curtis feels his rom-com scripts owe a debt to the Beatles’ madcap early media personas, for instance, though it’s not clear why anyone watching this should be over the moon to hear it.
But others capture the breadth of the band’s influence without pulling focus from the phenomenon itself. Not least of all a brief word from Sigourney Weaver. Which the actress reminisces about a 1965 concert at the Hollywood Bowl. Over the top of contemporary news footage that grainily but unmistakably places her delighted 12-year-old self at the scene.
Other than obligatory signposts to epoch-defining events like the Kennedy assassination, there’s little historical context – but that’s because Howard understands the band is the historical context.
The phenomenon of their live appearances – not just the concerts themselves, but the cheeky press conference preludes, and the hysterical, garment-rending fallout – itself defines the era with a spiky precision.
Civil Rights Movement
The mid-century Civil Rights Movement becomes part of the story. For example, because the band’s manager Brian Epstein included a line in their touring contracts. It specified the band would not play to segregated crowds.
Whoopi Goldberg, who was at the famous 1965 Shea Stadium gig, says she “never thought of them as white guys,” and describes them as “colorless” – one of a few trains of thought you wish Howard had allowed through a few more stations.
Likewise, the film shrewdly draws a line between the Beatles’ mischievous sense of humor. Their long-time producer George Martin’s earlier life recording alternative comedy. (Martin had worked with the Goons, an enormous influence on the band’s growing lyrical eccentricity in that period. As well as their off-the-cuff ribbing of strait-laced reporters.) But like many other ideas here, it’s tantalizingly flicked through, then shelved a little too early.
Vitally, though, the songs themselves get their due. Some appear in pleasingly unfamiliar forms. The film’s title track first turns up with Lennon and McCartney’s experimental oohed introduction, before segueing into its better-known version.
Plus there’s the straightforward pleasure of hearing the tracks play through a cinema sound system. – When Sgt. Pepper’s opening chords slam into your chest, the album really feels like an act of resuscitation.
What The Beatles did with the new lease of life that record gave them isn’t a matter for this film. But if Howard decides to address it in another, it’d be very welcome.